Monday, December 26, 2011

The Service Department - Caught in the Middle

!±8± The Service Department - Caught in the Middle

Wake up time

By now you may be realizing that the service department is really caught in the middle, between the sales department and manufacturing. This is a real challenge for the service department. In order to survive we must build a strong working relationship not only with the customers but also with the sales department and the manufacturer or supplier. I would recommend that each employee be assigned to a liaison group by product line to work as a point of contact between sales and manufacturing. This should be at least two or three employees meeting weekly on new products and monthly as the product ages. They should discuss items such as equipment problems, guide lines for upgrades, trade in values, critical parts, and other items that would improve the relations with the end user. It would help if the groups maintain a list of general subjects to go over to help remind each member of problems they have experienced or of information that was given to them by other technicians.

The service department should initiate this process as we have more to gain, (our jobs). The service department should accept the challenge of pulling these four groups together for the good of the company. The service department is usually the point of contact when problems arise.
I would recommend that one person in each liaison group be assigned to be the contact person for sales and another person be the contact person for manufacturing, so that each has only one primary responsibility and that they contact their counterpart after each meeting even if to report that there are no problems. This will insure that the lines of communications remain open.
If aggressive action is not taken by the service department to address problems and work toward solutions, then others will take action and question the need for the service department. In the future products will not be repaired, but discarded I see this taking place all the time. As an example, I own a very expensive DataScope compass, it started to loose one of the segments in the readout. This is usually a very common problem of a bad contact. The company would not repair, only replace the scope at the dealer cost after the warranty period. The unit was completely sealed and non repairable. I destroyed the unit to discover that I was correct, a bad contact.

The service department must evolve into an information service from a repair service. There will always be a need of more information about products and a point of contact for our customers. We should learn all we can about each new product and become the information point of contact within the company. This information will help now with repairs and later justify our existence when repairs are no longer needed. There should always be a need for a technical person who understands how the equipment works that can explain this to others.

Turn around time

We should always be looking for ways to shorten the repair time. I have already talked about some ways this can be addressed when doing on site repairs, but what about when the equipment is returned to the shop or repair center.

One approach I learned from a coworker in my first year with BARCO Inc., was to go through the repair list each morning and clean out all the easy repairs, saving the harder ones for later in the day, this assured him of always completing several repairs each day. When you work on one unit at a time not moving on until you have completed each repair, you can become bogged down and defeated. It is good to see some completed work each day to feel good about yourself. If you are stumped on a problem, switch off and work awhile on another unit, when you come back to the hard problem something may come to mind to try. However, don't leave the harder units alone for too long before requesting help. Set yourself a time limit to use as a guide for when to ask for assistance.

Lack of parts is usually the most frequent cause of long delays in the repair time. Those who are in charge of stocking parts are always under pressure to keep inventories low and only stock parts that have a high usage and scrapping or returning parts that have not been used in a given time frame.

After years of service work I have observed an anomaly, and if you talk to someone who has been in service work for a long time I believe they will tell you the same thing. The need for a given part will run in threes, you may need a part three times in a row and then not need the part again for over a year! I have always had a problem with stocking procedures that are based on usage.
With onsite repairs where the technician carries some parts, it helps when the other technicians know who has what. When I worked doing on site repairs for Eastman Kodak Company, we each kept a list of the parts carried by the other, then if it was quicker to meet and pick up a part rather than drive back to the stocking location, we would do so. We also made sure that someone had at least one part that may be needed if it was not stocked at the stocking location.
Some times a unit will be stripped of parts for repairs, the problem with this is that the part may not be replaced right away and the time for removing and reinstalling the part is doubled. Another solution is to keep assembles in stock and replace the assembly when the smaller parts are not available. Technicians will usually start to keep a hidden stock of parts from previous repairs if the parts are not available.

I think that the best solution would be to keep a well-stocked parts department, with every part that would be required. The level of repair that you are performing should determine what you stock, assembles or smaller parts. First stock at least one of every major assembly of the product. The simplest way to accomplish this would be to take a unit and break it down into it's major components. Next, take each component and order the parts that you feel may fail, based on your prior experience. This would be an excellent time to develop removal procedures for assembles.

Factory Feedback

We have discussed some of this in an earlier article. However, I cannot stress strong enough how important this is with the introduction of a new product. I would advise sending your contact person for each new product to the factory for a visit. They should tour the assembly line, take notes, pictures, and collect part numbers to use as manuals until the manuals are available. They should also talk to the workers on the line to find out about any difficult areas or problems they are experiencing.

Now you have a strong contact person who will know who to contact and will have the most impact when a modification is needed.
Try not to always send the same person, make sure that each of the technicians experience at least one trip to the factory. If the only person that is visiting the factory is the trainer or supervisor, then you will have only one contact and a large chance that problems will be pushed aside or feedback delayed due to other pressing projects. The technician is the one who is working on the problem and will have the most knowledge about the problem. The factory will also listen more often to the person who is experiencing the problem than second hand information.

The earlier you can have someone involved in a new product, the better, get the jump on the new information and maintain the lead with the information so that the rest of the people in the company will know who to come to when they need help.
Discuss with the factory about a time frame for all problems to be reported to the factory. At the start of a new product the factory will welcome all information, later they will want only the problems that have high numbers. Don't be the weak link and fail to report problems. If your company has more than one service center, one problem from you may mean serval reports company wide.

Keeping it Simple

Long reports and reporting forms look impressive. However, they can be time consuming and discouraging for someone who enjoys working on problems. The liaison contact person should describe the problem in their own words and offer suggestions for the correction when possible. E-mail would be the best means of feedback, unless the return of parts is required. Pictures with the e-mails are great. A picture is worth a thousand words, with the cost of digital cameras now below the 0 mark, each technician should have one at the ready on their bench.
I recommend one that does not require software and works like an external drive, pictures can then be simply copied to the e-mails and shared. Vivitar has the ViviCam, a 3-mega pixel digital camera that is very small and requires only a USB port, and no software. It can even be used as a camcorder when connected to a computer. Great for documenting even the repairs, more about this later.

I suggest keeping all the repair paper work short and simple, check the time being spent on paper work and entering computer data by the technician, you may find that more than half of their time is spent on the paperwork. Automate whenever possible, and avoid having to enter any data more than once.

Replace or Repair?

When each new product becomes available, you should conduct time studies on the disassembly and reassembly of each part and assembly. Compare the cost of this time with the cost of the assembly or subassembly to set guide lines for repairing or replacing a part.
You can use this time study as a hands on training session letting every technician take part and sharing ideals on the best way to remove the parts. I would let everyone take it apart and put it back together again. This may be the best training they could get. After the first person has completed the task, let them teach the next person, that way each will be exposed to the details of the equipment twice. And by talking someone through the procedures the learning will be reinforced as well as short cuts discovered.

Review these guide lines from time to time and make sure that everyone has a copy and understands why a replacement may be made instead of a repair. Remember that a technician will usually lean toward making the repair for the enjoyment of it.


The Service Department - Caught in the Middle

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Monday, December 5, 2011

Selecting the Best Memory Card

!±8± Selecting the Best Memory Card

Buying a memory card

Buying a memory card is the last thing you need to do before you can start taking photographs. Having already spent time deciding on a cameras the memory card is usually a choice that photogrpahers want to get over and done with quickly, which is quite understandable as it is only the recording medium.

Mercifully there are not many considerations. But consider them you must and these considerations are.

What type of card (This is easy).

How much storage (Down to the length of your photo shoots).

What write speed (decided by the performance of your camera)

Types of memory cards

Compact Flash, Secure Digital and Memory Stick

The above types of card form the basis of literally all card fits. In particular Compact Flash and Secure Digital with Memory sticks being a their own fitting from Sony which they have used in a variety of their electronics goods.

There used to be a bit of a standards war but this has very much settled down now.

There are other types of card such as 'micro SD' but these are a type of Secure Digital card and can be used with a plastic carrier.

Your camera will most likely take one of these fits. If it doesn't, your choice will be limited but you should still heed the following points.

Storage space

How many exposures

Like all digital recording mediums, memory cards have a certain level of storage space. More storage means more cost but its usually not proportional. However before you buy the largest card you can find or afford, consider that if the card corrupts you lose that many more photos. For those going on holiday, do they REALLY want to risk losing all their holiday shots because they were on the same card?

How big are the images, 10Meg, 25Mg?....How often will you take the photos off the card and into your PC/mac.... If its often say after an evenings shoot then a massive card may well be pointless. Will you be shooting dozens of frames per minute? I shoot live music. Maybe 2 shots per minute. I find I am unlikely to fill more than one 4 gig card per average shoot. I have 4 x 4Gb cards for festivals etc... If I have a PC with me then the PC can retrieve photos while I continue to shoot.

The size of the cameras memory card decision is very much down to your workflow.

Memory Cards read and write speeds

How fast can your camera save images to a memory card.

To achieve optimum performance from your digital camera you need to match the card's read/write speed to the upper limit of the camera.

The cheapest card in your chosen size and fit may not be the best choice for you and likewise buying a blisteringly fast card may be a waste of your resources.

Sandisk used to call their cards Ultra, UltraII, Extreme III, Extreme IV etc which denoted speed.

Normal Sandisk (blue card) 3MB/s- Low end compact cameras Ultra II 15mb/s (soon to be 'Ultra') - High end compact cameras Extreme III 30mb/s(soon to be 'Extreme') - D-SLRs ExtremeIV 45mb/s(soon to be 'Extreme Pro') - Pro D-SLRS

If your PC or mac does not have a memory card slot (many do btw) then you will require a USB card reader.

Sandisk USB 2.0 readers work at 30MB/s and 35MB/S. If you had extreme IV cards then you would need a Sandisk Firewire 800 reader, however Apple Mac compatibility has in the past been problematic. USB 3.0 is just around the corner and it is likely that Sandisk will release a faster USB reader.

Speed classes also describe how cards handle video -

Sandisk have supplied the figures below to help with establishing which memory cards you need. Image file sizes vary betweeen manufacturers and cameras so check you camera manual for a more conclusive details.

Average Number of Raw Images

When considering buying memory cards you may wish to refer to this table

If your image file size is approx 24mb

64GB - 2080 images 32GB - 1040 images 16GB - 550 images 8GB - 260 images 4GB - 130 images

If your image file size is approx 18mb

64GB - 2880 images 32GB - 1440 images 16GB - 7200 images 8GB - 260 images 4GB - 130 images

If your image file size is approx 14mb

64GB - 3840 images 32GB - 1920 images 16GB - 960 images 8GB - 480 images 4GB - 240 images

If your image file size is approx 10mb

64GB - 5120 images 32GB - 2560 images 16GB - 1280 images 8GB - 640 images 4GB - 320 images


Selecting the Best Memory Card

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Friday, December 2, 2011

Polaroid Transfers

!±8± Polaroid Transfers

In the mid-196os, as the story goes, a researcher at Polaroid Corporation's Cambridge headquarters inadvertently left a Polacolor ER negative lying face down on a counter's surface. When he picked it up later, he discovered that the image had transferred to the countertop. He and other researchers began playing with this "image-transfer" process until Polaroid's founder, Dr. Edwin Land, found out about it and discouraged the experimentation in no uncertain terms. Thus, the transfer process went underground. When it resurfaced in the 1970s, word spread, and soon professional and amateur photographers alike found that the technique gave their images a unique look. Transferring images onto surfaces as varied as fabric, wood, and watercolor paper, they discovered that their conventional photography took on the delicate hues of old fresco painting.

Image transfer is often described as a "crossover" art form, one that blurs the distinction between conventional photography and handcrafted art, such as painting. Unlike the precise images of photographic prints, image transfers suggest a moody, dream-like world. From a creative point of view, image transfers are appealing because they offer a way to individualize and further personalize photographs. A wide range of subject matter, from portraits to landscapes, can take on the vintage look of old photographs or of fine-art prints, or lend a distinctive look to commercial advertising.

In 1991, another variation with Polacolor ER film was discovered in Europe: emulsion transfers. A pioneer was Paris photographer Christophe Madamour, who discovered the technique late one night in his kitchen as he was pushing the limits of Polacolor film. By 1993, Polaroid's technical specialist, Mike Doukas, had learned about the "emulsion-lift" technique in Europe, and he set out to make the process safe. The Fall/Winter 1994 issue of Polaroid's Test magazine featured emulsion transfers, and Polaroid began including the technique in its seminars. Photographers started experimenting with the wild effects of removing the top image layer of Polacolor ER prints, stretching and sculpting the transparent emulsion, and placing it on a multitude of surfaces that included glass, stone, and Mylar. The new, innovative technique of emulsion transfer has taken the transfer process farther than anyone thought possible, opening up unlimited possibilities for the creative imagination.

I first discovered Polaroid image transfer at a San Francisco meeting of the American Society of Media Photographers (ASMP) in iggi. A representative from Polaroid demonstrated this alternative photographic process at the meeting, and each participant had the opportunity to create several transfers. Most of the transfers I made were successful. I was excited about the artistic possibilities the process offered and bought a Vivitar slide printer.


Polaroid Transfers

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Tuesday, November 22, 2011

The Best Digital Camera Binoculars For 2009

!±8± The Best Digital Camera Binoculars For 2009

There's nothing that sounds cooler to a gadget geek, then digital camera binoculars. They have that ultra slick James Bond type feel going for them. Or like something Batman would have in his utility belt. While that all may sound pretty cool, this type of binoculars really do have a very practical utilitarian side to them. Imagine how much easier it is for bird watchers, to get a rare glimpse of that red breasted whatever bird through their binoculars, and then click a button and have it captured. Without ever having to reach for their digital camera, and risk their target flying away. Sports fans are another obvious group that would enjoy a gift like this. Especially those watching from the cheap sets at their favorite sporting event.

Here's a few quick reviews of the more popular binoculars with a digital camera built in.

Bushnell Image View 8x21 Binocular w/VGA camera

These Busnell binoculars sport a pretty decent image clarity, for the price. If you happen to be an Apple Mac user, you'll want to steer clear of these, as they're not totally compatible. They go for around or a little more on many of the online shopping sites. They provide the flexibility of taking both still photographs, or video. This is a great binocular camera for the casual user, but the more serious bird watching type, may want to spend a little more money. Specifically, take a look at the last digcam binoculars (From Barska) in this review. It uses a standard USB connector to upload pictures and videos taken to your computer.

BinoCatch 4x28 Digital Binoculars w/Built-In Digital Camera/Camcorder

These usually go for about , but I've seen them in the price range as well. A bit of a toy set, but something that may be fun for the kids, or maybe a one time usage. You get a pretty good software bundle with it for the price. ArcSoft Photoimpression, My DSC, and PCCam are all included that alone makes it worth a few bucks. The formfactor construction is a little on the light side. The plasctic used could have been better, and you'll have to treat this one with a little care because of it. You do, however get 4x28 magnification, video capture, and a few extras. It's kind of 50% camera, and 50% binoculars.


The Best Digital Camera Binoculars For 2009

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